The old Lusenberg farmhouse (in Ladin Jumbierch) was converted into a bourgeois dwelling in 1830 by Annamaria Pezlauzer Moroder. She was the grandmother of the sculptor and painter Josef Moroder (1846-1939), who added the name of the house to his own. Moroder Lusenberg set up his painter's atelier, which is still in its original state, on the upper floor. His second wife Felizita ran an antiques business from there. The sculpture workshop on the ground floor is also in its original state. Moroder's grandson, Harald Schmalzl, still works there today as a sculptor.

Franz Martiner Senior da Kuenz, himself a manufacturer and son of a trading family based in Valencia, had the turn-of-the-century villa complete with production and despatch facilities built in 1897. He later passed the altar-building business that he had set up one year previously on to his son Franz Jr. Like many other Gröden altar builders, Franz Martiner's company exported to other countries in the pre-1914 Habsburg empire and was awarded the title of Chamber Supplier from Archduchess Maria Theresa von Braganza.

Franz Moroder de Plandemureda extended little Lenért farmhouse and set up production of ecclesiastical art as a new branch of the 'Gebrüder Moroder' company. In 1906, he purchased an art school in Offenburg, which was managed by his sons, Eduard and Rudolf. Pre-1914, there were up to 40 artisans working at Lenért and Offenburg at times. His grandson, Norbert, is said to have carried on carving wood in this historical workshop before it closed down a few years ago.

Neu Doss was constructed as a two-storey dwelling in 1883 by the sculpture painter and manufacturer Dominik Anton Moroder, youngest brother of the painter Josef Moroder Lusenberg. There was a painter's workshop for ecclesiastical art on the ground floor that, before the First World War, employed up to ten assistants  Son Heinrich ran the painter's workshop until into the 1960s, and the fourth generation are still running it from Haus Rumanc next door.

The building was bought at auction and converted in 1830 by Josef Senoner da Costa, a Gröden businessman in Nuremberg. In 1899, Franz Moroder (de Lenèrt) purchased the house and transferred the headquarters of his 'Gebrüder Moroder' company there from Plandemureda. He also opened the first bureau de change in Gröden in Haus Costa. The hay barn next door belonging to the old farm site is still in its original state.

Villa ANRI in St. Christina, now a listed building, newly built in 1925, was used as the headquarters of the ANRI company founded in 1921 by Anton Riffeser. For this purpose, workshops, offices, warehouses, packing and exhibition spaces were housed here. ANRI products were sold as far away as the USA and in its heyday, the company employed up to 230 people. Production was moved to premises at Plan Tiefa in 1952 and ceased in 2021.

Originally a twin farmhouse, Haus Pigon was converted and given a new façade with red quoins and red window framing. Haus Pigon was the seat of one of the oldest export wood carving businesses in the valley, the Riffeser company (Pigon), set up by Vinzenz Riffeser. Its foundation year is not known, but it pre-dates the First World War. At the end of the 20th century, Pigon was mainly selling imported wood carving products, and in 2012 the company shut down.

The SEVI company run by Vinzenz Senoner was (together with ANRI of Anton Riffeser) one of the most important employers in Gröden, with 140 employees and 200 workers from home, and it was one of Europe's leading wood carving producers. Haus Vastlé was constructed in 1831 by Senoner's father, Josef Anton, who started exporting small wooden figurines and toys. After construction of factory premises in Pontives in 1965, SEVI company headquarters were transferred there in 1977. Nowadays, there is a new building where the old one used to be.

Around 1870, Alois (Levisc) Riffesser founded one of the first export businesses for wooden toys and souvenirs at Plan da Tieja. In 1877, he built the several-storey-high Maciaconi building as his home and company premises with shop, which was even mentioned in a poem by Leo Runggaldier about a rattling wooden toy. The building itself and Dossesplatz square became a popular motif for engravings and historical picture postcards.

Johann Baptist Moroder, son of Josef Moroder Lusenberg and himself one of the most important Gröden sculptors around 1900, built Villa Venezia in 1903/04 based on his own designs for a residence in neo-Renaissance style with a balustrade featuring marble wooden columns. A sculptor's studio and domed skylight were included. The mills from Planaces farm, the forge with furnace and a sawmill used to be in front of the newly built house.