In 1909, Rudolf Moroder de Lenért had a house with a sculpture workshop built on the grounds of 'Pitl Paul' farm. He called the new construction 'Villa Rudolfine' - a combination of his first name and the name of his wife, Josephine. Rudolf Moroder was awarded a gold medal at the 1900 Paris Exposition. His premature death in the First World War put an end to the 'Gebrüder Moroder's' production of sacred objects. The artist couple, Rudolf Moroder and Finy Martiner, lived and worked in Villa Rudolfine until the beginning of the 20th century.

Franz Moroder de Plandemureda extended little Lenért farmhouse and set up production of ecclesiastical art as a new branch of the 'Gebrüder Moroder' company. In 1906, he purchased an art school in Offenburg, which was managed by his sons, Eduard and Rudolf. Pre-1914, there were up to 40 artisans working at Lenért and Offenburg at times. His grandson, Norbert, is said to have carried on carving wood in this historical workshop before it closed down a few years ago.

Neu Doss was constructed as a two-storey dwelling in 1883 by the sculpture painter and manufacturer Dominik Anton Moroder, youngest brother of the painter Josef Moroder Lusenberg. There was a painter's workshop for ecclesiastical art on the ground floor that, before the First World War, employed up to ten assistants  Son Heinrich ran the painter's workshop until into the 1960s, and the fourth generation are still running it from Haus Rumanc next door.

The building was bought at auction and converted in 1830 by Josef Senoner da Costa, a Gröden businessman in Nuremberg. In 1899, Franz Moroder (de Lenèrt) purchased the house and transferred the headquarters of his 'Gebrüder Moroder' company there from Plandemureda. He also opened the first bureau de change in Gröden in Haus Costa. The hay barn next door belonging to the old farm site is still in its original state.

The small farmhouse with late-gothic plastering and red quoins goes back to the 14th/15th century. Brothers Christian, Bartolomäus, Dominik and Anton Trebinger are called after their birthplace, Trëbe. They made their name in the 17th century with works for churches in South Tyrol and as pioneers of training sculptors and altar building. There is still a sculpture workshop on the ground floor of Trëbe today.

Janon, once a twin farmhouse, but just a residential building today, was first mentioned in records in 1430. The remnants of the red quoins, red window framing and the year 1585 written on the façade are noteworthy. There is a relief with scissors and needle chiselled above the other symbols on the keystone of the pretty arched doorway, perhaps pointing to a family of tailors once working here. The building has had listed status since the 1950s. The western half of the building is uninhabited.

The farmhouse, partly built into the surrounding land, dates back to the 15th century. The current living quarters were converted around the start of the 20th century. For generations, jointed wooden dolls and horses as well as special crib figurines with moving parts were made at Josef Insam's family business and sold all over Europe. In times of war, production was extended to include prosthetic hands and feet.

Villa ANRI in St. Christina, now a listed building, newly built in 1925, was used as the headquarters of the ANRI company founded in 1921 by Anton Riffeser. For this purpose, workshops, offices, warehouses, packing and exhibition spaces were housed here. ANRI products were sold as far away as the USA and in its heyday, the company employed up to 230 people. Production was moved to premises at Plan Tiefa in 1952 and ceased in 2021.

Originally a twin farmhouse, Haus Pigon was converted and given a new façade with red quoins and red window framing. Haus Pigon was the seat of one of the oldest export wood carving businesses in the valley, the Riffeser company (Pigon), set up by Vinzenz Riffeser. Its foundation year is not known, but it pre-dates the First World War. At the end of the 20th century, Pigon was mainly selling imported wood carving products, and in 2012 the company shut down.

The wood carver Christina Rifesser was running a workshop in the old farmhouse Domur back in 1888. When Matthias Comploy inherited the farmhouse in Tieja from his mother in 1903, he turned it into a turn-of-the-century style villa and set up a private teaching workshop for sculpting and altar-building carpentry. As of 1910, the teacher Albino Pitscheider and his family lived here and Comploy had to auction the workshop after the First World War.